Get Schooled — Chapter 115¶

Complete Detailed Panel-by-Panel Transcription¶

Scope¶

This transcription follows all 29 ordered reader images in Chapter 115. Dialogue and labels are preserved where readable, while descriptions record panel composition, body language, online material, flashbacks, and transitions.

Sequence 1 — Yujung searches for the leak¶

Inside A Entertainment, Yujung confronts members of her old clique. A photograph connected to Eunjin’s accusation has appeared publicly. Yujung curses and demands to know which “bitch” took it. The girls insist none of them photographed her and that they already compared stories.

Yujung’s suspicion settles on Park Leekyung, a follower who likes Chaeha from the group BEST. Yujung changes from threats to bribery, offering to arrange a meal with the male idol if Leekyung performs a favor.

I CAN SET UP A MEAL WITH HIM FOR YOU, SO CAN YOU DO ME A FAVOR?

The exchange makes clear that Yujung’s followers are managed through desire and access, not genuine friendship.

Sequence 2 — The agency releases a photograph¶

The Teacher’s Rights Protection Agency introduces a photograph during a live or highly publicized broadcast. The picture appears to show Yujung present during violence against Eunjin. Public opinion changes almost instantly.

Online comments say that, if the agency is involved, the unbelievable accusation may be true. Other users predict Yujung’s standard response—denial, lawsuits, more evidence, and a quick collapse. Many sympathize with the victim and demand that Fairy receive “true education.”

Yujung and the company cannot determine where the photograph came from. Lee acknowledges that exposing it during a live broadcast is aggressive and “quite barbaric.” He explains the agency’s pressure strategy:

THE METHOD USED BY THE TEACHER’S PROTECTION AGENCY IS TO TARGET THE MOST PAINFUL PART OF THE AGGRESSOR.

A CELEBRITY’S JOB IS TO MAINTAIN THEIR IMAGE.

A TURNING OF THE PUBLIC OPINION WOULD HURT THE MOST.

Crowds and commenters demand an apology. Lee expects the case to end soon, but his senior warns that aggressors rarely apologize on the first attempt.

Sequence 3 — A Entertainment produces a counternarrative¶

A company statement reframes the photograph. According to A Entertainment, Fairy was not participating in bullying; she was stopping a quarrel. The statement claims Eunjin mocked Yujung’s abilities and questioned whether she deserved to debut. “Friend A” allegedly became angry on Yujung’s behalf and assaulted Eunjin, while Yujung intervened.

The company condemns the agency for inciting public opinion without investigating first, threatens indiscriminate commenters, and demands an apology from the Teacher’s Rights Protection Agency.

A video titled as a debunking of the agency’s picture rapidly gathers hundreds of thousands of views. Park Leekyung appears on camera.

Leekyung:

MY NAME IS PARK LEEGYUNG, AND I WAS THERE WHEN THAT HAPPENED.

STARTING WITH THE CONCLUSION, FAIRY ISN’T A BULLY.

She says she, Eunjin, and Yujung were close friends. When Eunjin mocked Yujung’s debut prospects, Leekyung lost control and beat her. Yujung supposedly broke up the fight and helped clean Eunjin’s wounds.

FAIRY NEVER HARMED THE VICTIM IN ANY WAY.

THE ONE WHO WAS VIOLENT WAS ME.

The testimony mixes recognizable facts with a false interpretation, making it more persuasive than a total fabrication.

Sequence 4 — Lee treats the lie as new evidence¶

The agency team recognizes Leekyung as one of Eunjin’s attackers. Lee remarks that the most effective lie contains some truth. A colleague worries that they will lose unless they find more conventional evidence.

Lee disagrees.

NO… LOOK AT IT AS IF WE’VE JUST RECEIVED PROOF.

At school, students discuss the video and question why Eunjin would attack Yujung rather than Leekyung. Eunjin is summoned to a conference room, where Kim Jiuk and company representatives wait.

Sequence 5 — Ten-billion-won lawsuit threat¶

Kim Jiuk formally identifies Eunjin through the poster’s IP address and presents an accusation document for false information and defamation. The company claims the emotional and reputational damage suffered by its client totals approximately 10 billion won.

Eunjin is visibly overwhelmed. The attorney says the company does not want to take the matter further and repeats the offer: admit she was wrong, apologize immediately, and publish a public correction. Fairy will “specially” forgive her.

Yujung sits nearby with a smug smile.

IF YOU DO JUST THAT, I’LL SPECIALLY~ FORGIVE YOU. HAHA.

Eunjin explodes that Yujung is the person who sent her to hell. Yet the scale of the threatened damages makes her think of her family and freeze. She begins to say she understands.

Sequence 6 — Lee interrupts the forced apology¶

Lee enters and states plainly:

STUDENT EUNJI DID NOTHING WRONG.

THE EVIDENCE IS CLEAR.

IT’S CLEAR THAT STUDENT YUJUNG IS THE AGGRESSOR.

Kim Jiuk assumes he means the photograph and points out that the “real aggressor” has already debunked it. Lee says that is exactly the issue.

When he first displayed the picture, Yujung panicked because she never expected such an image to exist. The picture, however, was never taken at all. The agency fabricated it.

The room erupts. The company calls the use of false evidence illegal and asks how a government employee can do such a thing. Lee is unshaken. The false photograph was not created to alter the underlying truth but to provoke the guilty parties into exposing their methods and witnesses.

AND LIKE YOU THOUGHT, THIS PICTURE WAS NEVER TAKEN.

THEN WHERE DID I GET THE PHOTO…?

He points to the agency law passed three years earlier and asks whether they understand what it permits. The chapter ends on the implication that the agency’s unrestricted investigative authority can legally support tactics unavailable to an ordinary attorney.

End-of-chapter continuity note¶

Chapter 115 is structured as a contest of manufactured narratives. The agency releases a fabricated photograph; Yujung responds with a coerced but partly truthful testimony; A Entertainment then tries to crush Eunjin financially. Lee’s purpose was never to use the picture as final proof. It was bait designed to force Yujung to produce a witness, a story, and a chain of instructions that can now be investigated.

Additional visual and text details¶

Public-reaction panels reproduce comment counts, reply icons, and rapidly rising view numbers to show that the case is being fought through platform momentum as much as formal investigation.
A Entertainment’s statement is shown as a long official block of text. It claims cross-validation with “Friend A,” threatens commenters, and demands a formal apology from the agency.
Leekyung’s video is framed like a sincere personal confession: plain clothing, direct eye contact, and a subdued tone. The careful production makes the lie more credible.
When the ten-billion-won figure appears, the lettering enlarges and Eunjin’s body shrinks within the panel. Her anger at Yujung is immediately replaced by fear for her parents.
Lee’s disclosure that the photograph never existed is delivered only after the company commits to its counternarrative. Yujung’s panic, Leekyung’s testimony, and the legal threats have therefore become a record of consciousness of guilt.
The chapter’s last legal panels emphasize that the agency law was passed three years earlier and grants investigators authority beyond the tools available to police, schools, and ordinary attorneys.