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Get Schooled — Chapter 255

Complete Detailed Panel-by-Panel Transcription

Scope

This transcription follows the 8 ordered long story strips embedded in the replacement Chapter 255 MHT, excluding its separate title/header image. The replacement file includes the previously absent page 7, so the chapter can now be followed without a continuity gap. Readable dialogue, the parent’s report, school observations, dance-class material, and major actions are preserved where legible.

Content note

The chapter contains self-harm, suspected school bullying, severe performance pressure, disordered eating and weight anxiety, and an attempted group suicide from a rooftop.


Strip 001 — Sera invents an emergency to begin the undercover assignment

Hanrim and Gu Sera are riding together when Sera receives a phone call.

Her reaction is exaggerated and immediately suspicious.

YES…?! WHAT DID YOU SAY?!

Hanrim asks whether Sera called the wrong number.

Sera claims that her father has collapsed.

THEY SAID DAD COLLAPSED?

Hanrim finds the story strange because Sera’s father apparently never even catches a cold.

Sera says she needs the rest of the day off to check on him.

Hanrim tells her to submit the leave request through the team manager.

After Sera leaves the car, Hanrim says she is worried about the man as well because he drinks too much and considers visiting him later.

Sera overhears and panics.

The “collapsed father” was only an excuse to leave for a confidential undercover assignment.

She heads toward Seongyeong Arts High School.


Strip 002 — “Shin Sera” transfers into the contemporary-dance department

A teacher introduces a new transfer student to the class.

EVERYONE! WE HAVE A TRANSFER STUDENT. LET’S SAY HELLO.

Sera is disguised with braided hair, glasses, and a subdued school uniform.

HELLO, MY NAME IS SHIN SERA.

I’M THRILLED TO BE TRANSFERRING TO THE PRESTIGIOUS SEONGYEONG ARTS HIGH SCHOOL.

Classmates whisper because the normal transfer process or practical examination has already ended.

Sera scans the room and identifies Lee Ji-woo, the second-year contemporary-dance student named in the report.

Ji-woo looks withdrawn and physically exhausted.

A long written message from Ji-woo’s mother explains the case.

Ji-woo once loved dance enough to endure ten-hour daily practice sessions while smiling.

Recently she:

  • stopped speaking;
  • refused food;
  • stared blankly;
  • lost motivation;
  • and appeared emotionally hollow.

Her mother initially blamed adolescence or academic stress.

Then she entered Ji-woo’s room after hearing her sob in the dark and found repeated box-cutter wounds across her left arm and wrist.

The school administration denied that anything was wrong and suggested Ji-woo suffered from a private mental-health problem.

The mother begged the agency to investigate before her daughter died.

As Sera studies Ji-woo, the girl suddenly looks directly at her with a frightening expression.


Strip 003 — The expected bullying is not visible

Sera wonders why Ji-woo is glaring at her.

During the school day, the reported victim does not appear socially isolated.

She moves through the hallway with other girls and even accompanies friends to the bathroom.

Sera begins considering alternative explanations:

  • parental anxiety;
  • a misunderstanding;
  • or another false report.

At lunch, Sera sits near Ji-woo’s group.

The girls welcome the “new girl” and ask about her previous school.

They comment on Sera’s elaborate packed lunch and assume her mother prepared it.

Sera instead eats ordinary cafeteria food.

The conversation resembles normal classmate interaction rather than obvious ostracism.

She becomes increasingly uncertain whether the report accurately describes school violence.


Strip 004 — Dance students police one another’s bodies and food

Sera eats rice, side dishes, and tteokbokki freely.

The contemporary-dance students stare in disbelief.

One warns another student not to eat so much before the afternoon major class.

The girls speak fearfully about an instructor who reacts harshly when students gain weight or show visible stomach fat.

Ji-woo eats with an unnerving intensity while the others monitor both her and their own food.

The pressure surrounding dance bodies is treated as ordinary school culture.

Later, the students assemble in the practice studio.

Their instructor notices the unfamiliar transfer student.

Sera introduces herself again as Shin Sera.

The instructor asks whether Sera completed a transfer practical exam and wonders how the school admitted her without the instructor’s involvement.

She orders Sera to perform the same prompt used for the transfer examination.

Sera realizes she must prove her fake identity physically.


Strip 005 — Sera performs the dance she practiced for one week

Sera changes into dance clothes.

She has practiced the routine with another person for approximately a week, anticipating that the undercover role might require a performance.

The choreography begins.

Sera uses her athletic strength and flexibility to imitate contemporary dance poses, turns, extensions, and floor work.

Her movement is technically forceful but visibly stiff compared with trained arts students.

Classmates laugh.

WHAT WAS THAT?! WHY IS SHE SO STIFF?!

Someone jokes that Sera performed a kick rather than a dance.

Sera internally admits that her skill must look poor to actual majors.

The instructor ends the demonstration.

Students stare at Sera with a mixture of amusement and suspicion.

A black-haired girl watches more intensely than the others.


Strip 006 — Sera decides the report was false

Students whisper about how someone with Sera’s ability could have entered their school.

The dark-haired student’s expression becomes ominous.

I’VE MADE UP MY MIND NOW.

Sera watches carefully for an attempt to bully the new transfer student.

Nothing happens.

By the end of the school day:

  • no one attacks Sera;
  • no one openly abuses Ji-woo;
  • and Ji-woo leaves with the same girls she spent time with earlier.

Sera removes part of the disguise and concludes:

I KNEW IT. WAS IT A FALSE REPORT AFTER ALL?

She plans to tell Ji-woo’s mother what she observed and close the case if the following day is equally uneventful.

Then she notices that Ji-woo and the other girls are not heading directly home.

Sera follows them.


Strip 007 — The missing page reveals where the girls are really going

The girls enter a building filled with private academies.

Sera sees a contemporary-dance academy listed on the fifth floor.

She assumes the group is going to additional after-school practice, which would fit the extreme schedule described by Ji-woo’s mother.

Sera enters the stairwell and watches the elevator indicator.

The elevator passes the fifth floor.

It continues upward toward the seventh and rooftop level.

HUH? WHAT THE…? IT KEEPS GOING UP?

Sera suddenly understands.

The girls are not friends accompanying Ji-woo to an academy.

They are not going to practice at all.

Whatever is happening occurs after school and outside the classrooms she observed.

I SEE…! SO THE BULLYING HAPPENS AFTER SCHOOL?!

She races up the stairs.


Strip 008 — Three students prepare to jump together

Sera bursts onto the rooftop.

Three schoolgirls are standing at the edge, holding hands.

Their bags have been placed behind them.

One asks:

GIRLS… ARE YOU READY?

The students are crying.

They make a final promise.

IF WE’RE EVER REBORN,

LET’S NEVER GO INTO THE ARTS OR SPORTS!

The statement broadens the crisis beyond one peer-bullying complaint.

The girls appear crushed by an environment built from competition, body control, constant private lessons, abusive instruction, and the belief that failure will destroy their futures.

Sera sees them leaning toward the edge.

Her face changes from investigative uncertainty to horror.

She screams and rushes forward as the chapter ends.


Chapter-level continuity notes

The replacement page changes the chapter’s meaning

Without Strip 007, the story jumps directly from Sera assuming the report was false to the rooftop crisis. The restored page shows her following the girls into an academy building and realizing they deliberately passed the practice floor.

Visible friendship does not prove safety

Ji-woo is not isolated during the school day. The students share the same despair and may be suffering together rather than one group bullying another.

The original report may have misidentified the mechanism

Ji-woo’s mother correctly recognized that the school environment was destroying her daughter, but peer violence is not yet established as the only or primary cause.

Arts-school pressure is treated as systemic

Food restriction, terror of weight gain, relentless practice, private academies, and abusive authority are normalized rather than recognized as warning signs.

Sera’s undercover judgment changes twice

She first believes Ji-woo is an obvious victim, then suspects a false report, and finally realizes the danger is more severe than the report captured.